George Borrow (linguist and missionary)

 George Henry Borrow (5 July 1803 – 26 July 1881) was an English writer of novels and of travel based on personal experiences in Europe. His travels gave him a close affinity with the Romani people of Europe, who figure strongly in his work. His best-known books are The Bible in Spain and the novels Lavengro and The Romany Rye set in his time with the English Romanicha (Gypsies).

Borrow's precocious linguistic skills as a youth made him a protégé of the Norwich-born scholar William Taylor whom he depicted in his autobiographical novel Lavengro (1851) as an advocate of German Romantic literature Recalling his youth in Norwich some 30 years earlier, Borrow depicted an old man (Taylor) and a young man (Borrow) discussing the merits of German literature, including Johann Wolfgang van Goethe’s The Sorrows of young Werther.

With Taylor's encouragement, Borrow embarked on his first translation a version of the Faust legend, entitled Faustus, his Life, Death and Descent into Hell, first published in St Petersburg in 1791. In his translation, Borrow altered the name of one city, so making one passage of the legend read:

They found the people of the place modelled after so unsightly a pattern, with such ugly figures and flat features that the devil owned he had never seen them equalled, except by the inhabitants of an English town, called Norwich, when dressed in their Sunday's best.

For this lampooning of Norwich society, the Norwich public subscription library burned his first publication.

After a successful trip to Russia, Borrow turned his attention to Spain visiting at the time of the Carlist Wars George Borrow was also critical of the Roman Catholic Church in his book about travelling around Spain, The Bible in Spain. Wishing to distribute his translations of the New Testament he found that “the clergy were the party from which I received the strongest opposition and it was at their instigation that the Government originally adopted those measures which prevented any extensive circulation of the sacred volume through the land”

George Borrow translated Luke’s Gospel into the Romani and Basque languages but their circulation was banned and they remained only for personal use. After his stay in Spain, George Borrow returned to England where he married and settled down dying in 1881. A ketch was named after him and sadly this was sunk in the Second World War by a German U boat. His skill in languages was monumental and his commitment to the Gospel of Jesus Christ led to imprisonment and persecution yet he was undaunted to the end of his life.



Comments

Post a Comment

Popular posts from this blog

The Oxford Movement and The Gorham Judgment of 1850

  The Privy Council, a secular Court, announced a decision on the case of the Reverend George Gorham in 1850. The Anglican B ishop of Exeter Henry Phillpotts had refused to allow him to become vicar of St. Peter's in Bramford Speke, Devon because of Gorham's theology of Baptism, which Philpotts regarded as not conform ing to the doctrine of the Church of England. Reverend Gorham held that Baptism was not sacramentally effective and that an adult decision to accept Jesus Christ as Lord and Saviour was necessary. Bishop Phillpotts, however, was a High Church Anglican who could not accept what he regarded as a denial of Article XXVII of the Thirty-Nine Articles: Baptism is not only a sign of profession and mark of difference whereby Christians are discerned from other that be not christened, but is also a sign of regeneration or new birth, whereby, as by an instrument, they that receive baptism rightly are grafted into the Church; the promises of the forgiveness of sin, and o...
Read more

The Gothic Revival in the nineteenth century: Early work by A.W.N. Pugin

  As a young man Augustus Pugin converted to Roman Catholicism and in 1836 published “Contrasts” in which he compares architecture and interior furnishings in Protestant and Roman Catholic settings. One of his drawings illustrates “a faithful picture of Protestant desecration and neglect” and features a defaced altar screen, below which stands an altar table that Pugin describes as a “cheap and ugly table”. In contrast a sketch of an altar and associated furnishings in a Roman Catholic setting is described as “more suited to a fashionable boudoir that to an altar for sacrifice.” Pugin’s aim was to recapture the Gothic style in the buildings and furnishings he designed. An early commission was Scarisbrick Hall, close to Ormskirk in Lancashire. Charles Scarisbrick initially wanted a garden seat and chimney piece, but the young and enthusiastic Pugin set about trying to rebuild the entire property. Pugin produced for Scarisbrick a number of rooms central to the house: the Great...
Read more

A.W.N. Pugin “Improving the taste of young England”

Image
  On September 1 st 1846 the opening of St. Giles’ Church Cheadle took place after five years of building and interior design work by Pugin. The Earl of Shrewsbury whose money had largely funded the project was delighted. He thought it would “improve the taste of young England” and could often be found showing people around. George Gilbert Scott was impressed and the Earl of Shrewsbury commented about his reaction “ the stencilling absolutely made the water run down both sides of his mouth”. St. Giles Church was designed by Pugin to be entirely English in style and was symmetrical. This style no longer reflected his thinking at the time but it was an example of what became known as “Puginism”. The Church cost over thirty thousand pounds and was a full blown work of high romantic art. In it Pugin’s own religious and aesthetic ideals were equally fulfilled. Many notable guests attended the consecration including John Henry Newman, a recent convert from the Anglican to the Rom...
Read more